I am currently exploring expressing landscape through colour and shape, composition and space. I live in a town, my street on the edge of both great industrial heritage and the quiet countryside. As someone from The Black Country, having lived in towns and villages, I belong in the tradition of grafting with your hands, but also desire to blend into the fields, both elemental experiences, both part of me, where one begins and another ends is an unknown, maybe fluid, boundary.
This work in development is a response to the environment and mindfulness, and the freedom of only printing a handful of pieces, directly responding to drawing en plein air, in all weathers. It creates its own rhythm- slow observation, fast drawing, slow cutting, fast printing.
Messy and imperfect, 'flash landscapes', capturing the observed on the same day, created as soon as I arrive back at the studio, push me to explore new ways of working, the edges of the prints themselves not defined, and I'm excited to see where they might take me next as I press on to further abstract the landscape.
I am currently exploring expressing subject matter through colour
and shape, composition and space. Coming from The Black Country,
with its tradition of making with your 'onds' (hands) and a strong sense
of place, I am playing with sense of place or feeling.
The freedom of printing one off pieces is surprisingly liberating,
often directly responding to having drawn outdoors, in all weathers,
then returning to the studio and working with immedicacy.
This process creates its own rhythm -
slow obervation, fast drawing, slow cutting, fast printing.
I am also trialling ways of screen printing without reliance on dark room
chemical processes which has lead me to making temporary stencils for
screens, and discovered the possibilities of woodcut printing, an exciting development after many years screen printing. I am experimenting with hybrid printing, seeing how the interaction of screen marks and woodcut marks interplay with each other. At this stage, messy and imperfect, as all play should be, going back to simple brush marks and contours. Follow me as I push myself to go to new creative places and discovering where it takes me next.